਀ऀ㰀℀ⴀⴀ Sugarcane 1.2 is based on:਀ऀ TiddlyWiki 1.2.39 by Jeremy Ruston, (jeremy [at] osmosoft [dot] com)਀ऀ Published under a BSD open source license਀ऀ Copyright (c) Osmosoft Limited 2005਀ऀ Redistribution and use in source and binary forms, with or without modification,਀ऀ愀爀攀 瀀攀爀洀椀琀琀攀搀 瀀爀漀瘀椀搀攀搀 琀栀愀琀 琀栀攀 昀漀氀氀漀眀椀渀最 挀漀渀搀椀琀椀漀渀猀 愀爀攀 洀攀琀㨀 ਀ऀ刀攀搀椀猀琀爀椀戀甀琀椀漀渀猀 漀昀 猀漀甀爀挀攀 挀漀搀攀 洀甀猀琀 爀攀琀愀椀渀 琀栀攀 愀戀漀瘀攀 挀漀瀀礀爀椀最栀琀 渀漀琀椀挀攀Ⰰ 琀栀椀猀 list of conditions and the following disclaimer.਀ऀ Redistributions in binary form must reproduce the above copyright notice, this਀ऀ氀椀猀琀 漀昀 挀漀渀搀椀琀椀漀渀猀 愀渀搀 琀栀攀 昀漀氀氀漀眀椀渀最 搀椀猀挀氀愀椀洀攀爀 椀渀 琀栀攀 搀漀挀甀洀攀渀琀愀琀椀漀渀 愀渀搀⼀漀爀 漀琀栀攀爀 materials provided with the distribution.਀ऀ Neither the name of the Osmosoft Limited nor the names of its contributors may be਀ऀ甀猀攀搀 琀漀 攀渀搀漀爀猀攀 漀爀 瀀爀漀洀漀琀攀 瀀爀漀搀甀挀琀猀 搀攀爀椀瘀攀搀 昀爀漀洀 琀栀椀猀 猀漀昀琀眀愀爀攀 眀椀琀栀漀甀琀 猀瀀攀挀椀昀椀挀 prior written permission.਀ऀ THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND ANY਀ऀ䔀堀倀刀䔀匀匀 伀刀 䤀䴀倀䰀䤀䔀䐀 圀䄀刀刀䄀一吀䤀䔀匀Ⰰ 䤀一䌀䰀唀䐀䤀一䜀Ⰰ 䈀唀吀 一伀吀 䰀䤀䴀䤀吀䔀䐀 吀伀Ⰰ 吀䠀䔀 䤀䴀倀䰀䤀䔀䐀 圀䄀刀刀䄀一吀䤀䔀匀 OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT਀ऀ匀䠀䄀䰀䰀 吀䠀䔀 䌀伀倀夀刀䤀䜀䠀吀 伀圀一䔀刀 伀刀 䌀伀一吀刀䤀䈀唀吀伀刀匀 䈀䔀 䰀䤀䄀䈀䰀䔀 䘀伀刀 䄀一夀 䐀䤀刀䔀䌀吀Ⰰ 䤀一䐀䤀刀䔀䌀吀Ⰰ INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED਀ऀ吀伀Ⰰ 倀刀伀䌀唀刀䔀䴀䔀一吀 伀䘀 匀唀䈀匀吀䤀吀唀吀䔀 䜀伀伀䐀匀 伀刀 匀䔀刀嘀䤀䌀䔀匀㬀 䰀伀匀匀 伀䘀 唀匀䔀Ⰰ 䐀䄀吀䄀Ⰰ 伀刀 倀刀伀䘀䤀吀匀㬀 伀刀 BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN਀ऀ䌀伀一吀刀䄀䌀吀Ⰰ 匀吀刀䤀䌀吀 䰀䤀䄀䈀䤀䰀䤀吀夀Ⰰ 伀刀 吀伀刀吀 ⠀䤀一䌀䰀唀䐀䤀一䜀 一䔀䜀䰀䤀䜀䔀一䌀䔀 伀刀 伀吀䠀䔀刀圀䤀匀䔀⤀ 䄀刀䤀匀䤀一䜀 䤀一 ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH਀ऀ䐀䄀䴀䄀䜀䔀⸀ -->਀ऀ㰀栀琀洀氀㸀 ਀ऀ㰀洀攀琀愀 栀琀琀瀀ⴀ攀焀甀椀瘀㴀∀䌀漀渀琀攀渀琀ⴀ吀礀瀀攀∀ 挀漀渀琀攀渀琀㴀∀琀攀砀琀⼀砀栀琀洀氀㬀 挀栀愀爀猀攀琀㴀唀吀䘀ⴀ㠀∀㸀 Sugarcane਀ऀ㰀猀挀爀椀瀀琀 琀礀瀀攀㴀∀琀攀砀琀⼀樀愀瘀愀猀挀爀椀瀀琀∀㸀 function $(a){if(typeof a=="string"){return document.getElementById(a)}else{return a}}function clone(a){var b={};for(property in a){b[property]=a[property]}return b}function insertElement(a,d,f,c,e){var b=document.createElement(d);if(f){b.id=f}if(c){b.className=c}if(e){insertText(b,e)}if(a){a.appendChild(b)}return b}function insertText(a,b){return 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  • ਀ऀ㰀氀椀 椀搀㴀∀猀琀漀爀礀䴀攀渀甀∀㸀㰀⼀氀椀㸀
  • Rebobinar
  • ਀ऀ㰀氀椀 椀搀㴀∀爀攀猀琀愀爀琀∀㸀嘀漀氀瘀攀爀 愀 攀洀瀀攀稀愀爀㰀⼀氀椀㸀
  • Compartir
  • ਀ऀ㰀氀椀 椀搀㴀∀挀爀攀搀椀琀猀∀㸀 Esta historia fue creada con Twee y funciona con TiddlyWiki ਀ऀ㰀⼀甀氀㸀 ਀ऀ㰀搀椀瘀 椀搀㴀∀猀栀愀爀攀䴀攀渀甀∀ 挀氀愀猀猀㴀∀洀攀渀甀∀㸀
    Delicious
    ਀ऀ㰀搀椀瘀 漀渀挀氀椀挀欀㴀∀樀愀瘀愀猀挀爀椀瀀琀㨀氀漀挀愀琀椀漀渀⸀栀爀攀昀㴀✀栀琀琀瀀㨀⼀⼀昀愀挀攀戀漀漀欀⸀挀漀洀⼀猀栀愀爀攀⸀瀀栀瀀㼀琀㴀✀⬀琀愀氀攀⸀最攀琀⠀✀匀琀漀爀礀吀椀琀氀攀✀⤀⸀琀攀砀琀⬀✀☀甀㴀✀⬀氀漀挀愀琀椀漀渀⸀栀爀攀昀∀㸀䘀愀挀攀戀漀漀欀㰀⼀搀椀瘀㸀
    StumbleUpon
    ਀ऀ㰀搀椀瘀 漀渀挀氀椀挀欀㴀∀樀愀瘀愀猀挀爀椀瀀琀㨀氀漀挀愀琀椀漀渀⸀栀爀攀昀㴀✀栀琀琀瀀㨀⼀⼀琀眀椀琀琀攀爀⸀挀漀洀⼀栀漀洀攀㼀猀琀愀琀甀猀㴀刀攀愀搀椀渀最─㈀ ✀⬀氀漀挀愀琀椀漀渀⸀栀爀攀昀∀㸀吀眀椀琀琀攀爀㰀⼀搀椀瘀㸀 ਀ऀ㰀搀椀瘀 椀搀㴀∀瀀愀猀猀愀最攀猀∀㸀㰀⼀搀椀瘀㸀
    El lienzo está preparado y mayormente vacío, aunque ayer cubriste varias regiones del fondo alrededor del diván. \n\n[[Si quisieras hecharle un vistazo a la campana, andá a la página 5|Bell]]\n[[Si quisieras mirar dentro del dormitorio, andá a la página 99|Bedroom 1]]
    La puerta del dormitorio se abre. Una figura entra silenciosamente, usando una máscara de terciopelo negra. Cruza el cuarto y se para ante vos. Sus ojos se encuentran tentativamente. Un minuto pasa. \n\nSaca una navaja de afeitar de su bolsillo y la abre. Cortando su propia garganta, se recuesta en silencio sobre el diván. \n\nEmpezás a pintar. \n\n[[continuar|Painting]]
    Te levantás de tu asiento y caminás al dormitorio abierto. Asegurás la puerta detrás de vos. Hay una máscara de terciopelo negra sobre la pared.\n\nLevantás la máscara de la pared y te la ponés. Tu cabeza da vueltas por un momento. Cuando recuperás la lucidez te das cuenta de que tiraste el florero de vidrio de tu aparador al piso, y se rompió en cientos de pedacitos. \n\n[[continuar|Restart]]
    La puerta del dormitorio está asegurada desde adentro.\n\n[[Si quisieras mirar el lienzo, andá a la página 16|Canvas]]\n[[Si quisieras examinar la campana, andá a la página 5|Bell]]
    Tomando una bocanada de aire profunda, te internás pesadamente en tu estudio. La luz es perfecta. El duro sol cae sobre el diván a través de la hilera de tragaluces que hiciste instalar recientemente. Las superficies iluminadas están todas saturadas, casi azules. Te hundís en el sillón tapizado de cuero frente a tu escritorio y empezás a leer tus suministros de pintura.\n\nEstás sentado frente a un escritorio de roble. En el escritorio hay un lienzo vacío y una campana de bronce. A tu izquierda hay una puerta. \n\n[[Si quisieras mirar el lienzo, andá a la página 38|Canvas]]\n[[Si quisieras examinar la campana, andá a la página 3|Bell]]\n[[Si quisieras mirar dentro del dormitorio, andá a la página 99|Bedroom 1]]\n
    La campana de bronce de diez libras está colgada de un marco de madera en tu escritorio. Al lado hay un mazo de madera. \n\n[[Si quisieras sonar la campana, andá a la página 0|Suicide]]\n[[Si quisieras mirar el lienzo, andá a la página 1|Canvas]]\n[[Si quisieras mirar dentro del dormitorio, andá a la página 2|Bedroom 1]]\n
    Levantás cuidadosamente la máscara de la pared y te la ponés. \n\nSuena la campana.\n[[Andá a la página 1|Restart]]
    Estás sentado frente a la mesa de la cocina, procesando una taza de té. Los últimos días de preparación te han drenado por completo. Aunque la privación del sueño está empezando a afectar tu concentración, todo parece estar en orden. Cuando terminás tu té, escuchás un sonido de vidrio rompiéndose en el dormitorio. \n\nEstás sentado a la mesa, sobre la que descanzan la tetera, algunos papeles arrugados, y una taza de té. Hay una puerta cerrada frente a vos. \n\n[[Si contemplás la tetera, andá a la página 65|Teapot]]\n[[Si volteás tu cabeza para mirar los papeles, andá a la página 14|Papers]]\n[[Si quisieras usar la puerta, andá a la página 2|Study]]
    Estás seguro de que éste es el trabajo por el que vas a ser recordado. \n\n[[Si quisieras entrar al dormitorio, andá a la página 45|Enter Bedroom]]\n[[Si quisieras mirar el cadáver, andá a la página 64|Corpse]]
    La cara del modelo está completamente cubierta por la máscara de terciopelo. Los fármacos que ordenaste triunfaron en prevenir que el cuerpo entrara en rigor mortis. \n\n[[Si quisieras entrar al dormitorio, andá a la página 58|Enter Bedroom]]\n[[Si quisieras mirar la pintura, andá a la página 12|Canvas 2]]\n
    La mesa está plagada de pedazos arrugados de material de empaquetar. \n\n[[Si contemplás la tetera, andá a la página 65|Teapot]]\n[[Si quisieras usar la puerta, andá a la página 8|Study]]
    Siete Horas Pasan
    El tiempo pasa. La luz del sol se traslada a través del cuarto. Tus nervios se apaciguan —tenés todo el tiempo del mundo para terminar tu trabajo. El modelo reclinado está complacientemente inmóvil. Cuando terminás, te sentás erguido y respirás profundamente. \n\nEstás sentado frente a un escritorio de roble. Sobre el escritorio hay una pintura completa y una campana de bronce. A tu izquierda hay una puerta. Al otro lado del cuarto hay un cadáver enmascarado sobre un diván. \n\n[[Si quisieras mirar la pintura, andá a la página 21|Canvas 2]]\n[[Si quisieras entrar al dormitorio, andá a la página 47|Enter Bedroom]]\n[[Si quisieras mirar el cadáver, andá a la página 64|Corpse]]
    La tetera es redonda y lustrosa. Es un blanco ligeramente débil con un tinte verde-gris. Quedan sólo unas pocas gotas de té en el fondo.\n\n[[Si quisieras mirar los papeles, andá a la página 86|Papers]]\n[[Si quisieras usar la puerta, andá a la página 3|Study]]
    <<display 'Start'>>